Photography (Photography)

Redefining The Power (with Didi Fernandes) is a metaphor of how reflections on history and society during the Angolan Civil War (1975-2002) are largely ignored within the canon of history. Resulting from Kia Henda’s research on the Fortaleza de São Miguel built by the Portuguese in the 15th century in Luanda, Angola, the Redefining The Power series was created 10 years after the Angolan Civil War as a reflection on the reactivation of memory surrounding historical monuments. Through this work, the artist aims to replace the memorialized colonial heroes and war symbols through re-appropriation, determining traumatized lands as forms of resistance and pride.

Sculpture (Sculpture)

Camil has made numerous paintings and photographs of halted projects along Mexico’s highways (she calls them “highway follies”), and of abandoned billboards that look like theater curtains dramatizing failed capitalist strategies. (Espectacular, the colloquial Spanish term for “billboard,” also translates more literally as “spectacle,” and of course recalls Guy Debord’s famous 1967 book The Society of the Spectacle .) In Mexico, the urban landscape has been taken over by billboards; they are totally integrated into the landscape.

Film & Video (Film & Video)

In this four-channel 10 min video installation different episodes play simultaneously on the four screens. The artist has arranged several different scenarios and symbolic props which make it easy for viewers to feel the pervasive ambiguity which cannot be put into words. On the one hand, our imagination is tempted by the delicate details, but on the other hand, our imagination is limited through a very rigorous structure.

Film & Video (Film & Video)

In 2019, Ayoung Kim traveled to Mongolia to research its widespread animistic belief system towards land, mother rock, stones, and sacred caves that purify human guilt. The Mongolian people’s belief that rocks and minerals are alive, like other natural elements, consider the particular origin myth that human beings were born from stones. For the video work Petrogenesis, Petra Genetrix Kim creates her own hyperbolic mythology connected to the origin of the fictional mineral genderless Petra Genetrix, a figure who also appears in other recent works by the artist.

Installation (Installation)

The work Tender is composed of several elements: a porcelain spoon, a florescent lamp box, a small portable night light, a shelf with nearly invisible embossments of flowers and a jar of jam resting on a black plastic tray. The cardboard painting is made of acrylic and inkjet ink on which we can read Tender . Tender is a brand of extra soft tissue paper, it refers to an intimate comfort but results in a sentiment of melancholy and absence.

Drawing & Print (Drawing & Print)

A woman you thought you knew by Sin Wai Kin originates from a performance series titled A View from Elsewhere . Wearing exquisite hair and makeup and a pair of silicone breasts under shimmering diamanté lingerie, Sin Wai Kin’s former persona, Victoria Sin, assumes an alluring, inviting, and intimidating pose. Through subtle and slow movements, this atemporal courtesan appears as a living deity, whose presence embodies codes of representation found in brothels from the turn of the century, burlesque, and Beaux Arts female nude painting.

Film & Video (Film & Video)

The Third Seal—They Are Already Old. They Don’t Need To Exist Anymore is part of The Seven Seals , Tsang’s ongoing series of digital videos that are projected as installations onto the walls and ceilings of dark rooms. Using texts and computer technology, the series draws its reference from various sources—the Bible, Judeo-Christian eschatology, existentialism, metaphysics, politics, among others—to articulate the world’s complexity and the dilemmas that people face while approaching “the end of the world.” The Third Seal is a nineteen-by-twenty-seven-foot projection on a single wall that, together with sound, creates an immersive and dynamic environment.

Film & Video (Film & Video)

Artist Wong Kit Yi’s A River in the Freezer combines directed and found footage to meditate upon glacial memory, cryogenics, and frozen fiction. She synthesizes disparate subjects—ranging from Longyearbyen, Norway (a town where no one is allowed to die), the fair-haired manga character Cygnus Hyoga, 19th-century global trading in ice, and color wavelength theory, among others—within a karaoke-inspired sing-along format.

Film & Video (Film & Video)

The video Music While We Work (2011) is the first part/work of a long-term research project started in 2010. The project revolves around and beyond the history of sugar in the small town Huwei in central Taiwan (the artist’s hometown). The town was nicknamed as the “Capital of Sugar” during the Japanese colonial ruling (1895-1945) of Taiwan.

Drawing & Print (Drawing & Print)

The graphite drawing 4 mourners on a mantel by Gala Porras-Kim is part of a larger installation and body of research, entitled An Index and Its Settings (Un Índice y Sus Entornos) , in which the artist reconsiders 235 ancient burial figures (from circa 200 BCE – 50 CE) from what is now Mexico’s Pacific coast that are part of the Proctor Stafford Collection held by the Los Angeles County Museum of Art (LACMA). Eschewing their current musicological function, 4 mourners on a mantel presents photo-realistic depictions of said figures on top of a hypothetical collector’s fireplace. Herein, these funerary objects are displaced as curios which stare back at the viewer in signs of grief and confusion.

Drawing & Print (Drawing & Print)

This untitled drawing was part of Sung Hwan Kim’s solo exhibition Sung Hwan Kim: A Still Window From Two or More Places , which took place in tranzitdisplay in Prague, Czech Republic in 2010. tranzit.cz is part of a network working independently in Austria, the Czech Republic, Hungary, Slovak Republic, and Romania since 2002. Such doodle-like drawings are often crucial components of Kim’s performances. The imagery of faces, heads, snakes, and serpentine paths are recurring motifs in the artist’s drawing practice.

NFT (NFT)

Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022). Sun produced this NFT from a still image of the animation that features a drawn notation of the sign “echo” in American Sign Language. Visually the black and white image depicts two side by side mounds, one labelled ‘Hand’ and the other labelled ‘Palm’.

Drawing & Print (Drawing & Print)

Sung Hwan Kim created the drawing push against the air 01 during a rehearsal for his eponymous 2007 performance at De Apple (as part of Prix de Rome), Amsterdam, and Project Arts Centre, Dublin. For the performance, Kim interviews his frequent collaborator David Michael DiGregorio and a fellow musician, Byungjun Kwon, about love songs they have composed. The performance appears spontaneous and creates a space of vulnerability and intimacy, however in reality, the three rehearsed the performance numerous times and performed it in numerous cities.

Installation (Installation)

Sylbee Kim’s Unindebted Life is a single-channel video, commissioned and premiered at the 13th Gwangju Biennale (2021). This work is a major production by the artist, addressing her attempts to attractively integrate and intersect elements such as bodies and minds, ancient spirituality, heterogeneity, class and capital, digital temporality, and particular aesthetics of the post-internet generation. In the work, the vitality and the movement in calligraphy motifs, revealed through the flashing light presented in the screen panels and video sequences, are related to the moment of change inherent in the body’s cell energy and living things.

Film & Video (Film & Video)

Turtle Walk is a video installation that documents two performers carrying large white disks on their backs as they walk through the urban environment of Seoul. The simple disks disrupt normal social behaviors in urban space, acting like parabolic antennae that cause the performers to interact and communicate unusually with their surroundings. The performance causes viewers to reflect on their expectations for normal behaviors within the social space of the city.

Film & Video (Film & Video)

Lifting Barbells is a video by Kim Heecheon that narrates his letters in Spanish to his girlfriend in Argentina, discussing his feelings after his father died in a bicycling accident. Using the data recorded on his father’s smartwatch, Kim’s video traces digital footage of his father’s route on Google Maps, the location of the accident, and his cardiographic data as he was dying. The video contrasts Kim’s emotional letters with the clinicality of the quantitative data recordings.

Film & Video (Film & Video)

Indexes that either allow or inhibit the establishment of communication exist in both signed as well as spoken languages. Some differ radically depending on a variety of social, economic and geographical factors, while others are universally understood. Seemingly small and fleeting gestures can determine a sense of affiliation or a feeling of rejection.

Film & Video (Film & Video)

An early work in Sung Hwang Kim’s career, the video Summer Days in Keijo—written in 1937 is a fictional documentary, the film is based on a non-fiction travelogue, In Korean Wilds and Villages , written by Swedish zoologist Sten Bergman, who lived in Korea from 1935 to 1937. In Kim’s film, a Dutch female protagonist traces Bergman’s path in the present-day Seoul (Keijo was the Japanese name for Gyeongseong, currently Seoul). The protagonist navigates through spaces that have been rebuilt since the 1950s onwards, and the scenes are narrated by a voice-over based on Bergman’s written description of the modern city in 1937.

Painting (Painting)

Readymade Flea Market is part of a series of works developed by Hun Kyu Kim. While the artist’s previous work drew a parallel between capitalism’s inherent social violence and the evolution of weaponry, Hun Kyu Kim now focuses on political nihilism and how to overcome it. In this new work he uses the metaphor of 3D Graphic Space to represent our current reality.

Film & Video (Film & Video)

The video Tell me everything you saw, and what you think it means by Sin Wai Kin is from a performance series titled A View from Elsewhere. Wearing exquisite hair and makeup and a pair of silicone breasts under shimmering diamanté lingerie, Sin Wai Kin’s former persona, Victoria Sin, assumes an alluring, inviting, and intimidating pose. Through subtle and slow movements, this atemporal courtesan appears as a living deity, whose presence embodies codes of representation found in brothels from the turn of the century, burlesque, and Beaux Arts female nude painting.

Drawing & Print (Drawing & Print)

This untitled drawing was part of Sung Hwan Kim’s solo exhibition Sung Hwan Kim: A Still Window From Two or More Places , which took place in tranzitdisplay in Prague, Czech Republic in 2010. tranzit.cz is part of a network working independently in Austria, the Czech Republic, Hungary, Slovak Republic, and Romania since 2002. Such doodle-like drawings are often crucial components of Kim’s performances. The imagery of faces, heads, snakes, and serpentine paths are recurring motifs in the artist’s drawing practice.

Drawing & Print (Drawing & Print)

Pianoiss . . . issmo (Worse Finish)

Photography (Photography)

New Landmark No. 1 is part of the series New Landmark . In this series, Tsang reversed the direction of his camera lens, and capture images of skyscrapers from an upshot angle.